Sponsored by "Music (random)".
Here it is - the final EP release to promote D(O)UB(T). Out now on Bandcamp...
Additional tracks are Is Everybody Happy Yet?, The Book Of Passwords and an instrumental demo version of Gomorrah.
Hope you enjoy it.
More news when I have it...
Regards,
djp
The genesis of a new album from Daniel Prendiville. In mind-numbingly tedious micro-detail
Showing posts with label Bandcamp. Show all posts
Showing posts with label Bandcamp. Show all posts
Saturday, October 17, 2015
Monday, September 7, 2015
D(O)UB(T) is (o)u(t) and ab(o)u(t) - 070913
Sponsored by "Music (random)".
So D(O)UB(T) has finally been unleashed on the world. And here it is in all its "sonic glory"...
So D(O)UB(T) has finally been unleashed on the world. And here it is in all its "sonic glory"...
The album is initially released via Bandcamp with a number of bonus tracks, full artwork and access to a free download (via Mediafire or Dropbox) of a full album mix.
I am currently uploading the album to CD Baby to facilitate release, within the next few days, via the usual major digital retailers. The CD Baby version will not have the bonus features, so if you really want those, ya gotsta go to Bandcamp, aiiii...?
In the meantime, if you want to hear streams of the full album mix, you can go to Soundcloud...
...or to Mixcloud...
...or to Mixcloud...
...so you can't say you haven't got a choice, can ya?
I hope you get a chance to listen to the album. If you like what you hear, be sure to tell your friends. And let me know too...;-).
More news when I have it.
Regards,
djp
Friday, September 4, 2015
Release date and preparatory work - 040915
Sponsored by "Music (random)".
I can now confirm that D(O)UB(T) will be formally released on next Monday, 7 September.
The album will be initially released via my Bandcamp page. The Bandcamp version will have some exclusive bonus tracks and will also offer the purchaser the option of a separate (i.e. not via Bandcamp) download of a full album mix, with all relevant crossfades. The full album mix will be available to stream via Mixcloud also.
After the Bandcamp upload, I will be using CD Baby to distribute the album to a variety of digital retailers, including, principally, iTunes. The CD Baby version will be the basic version of the album. I have to say that, barring one issue which was my own fault, I have always found CD Baby very decent and quick to work with. The album should be available on iTunes within a day or two of uploading to CD Baby.
Once all that has been done, my promo work will start. I'll do the easy stuff first - Facebook and Twitter. Then comes the slog of contacting websites and blogs, via a contact list which I've built-up over the last few years. Truth to tell, those contacts have been next to useless for me in terms of getting attention/reviews/whatever, but I feel I owe it to the album to try and push it is as far as I can within the limits of my resources (i.e. zero resources). To that end, I have put together a press kit of the album, featuring high-resolution MP3s, graphics and pictures and a short one-page press release. This has been uploaded to Megafire and Dropbox.
I had to make a slight change to one of the graphics re. credits. I also had to encode one or two tracks at 320 kbps (they were only at 192 kbps).
Speaking of graphics, in case you haven't seen the album cover anywhere else on the internet, here it is...
I can now confirm that D(O)UB(T) will be formally released on next Monday, 7 September.
The album will be initially released via my Bandcamp page. The Bandcamp version will have some exclusive bonus tracks and will also offer the purchaser the option of a separate (i.e. not via Bandcamp) download of a full album mix, with all relevant crossfades. The full album mix will be available to stream via Mixcloud also.
After the Bandcamp upload, I will be using CD Baby to distribute the album to a variety of digital retailers, including, principally, iTunes. The CD Baby version will be the basic version of the album. I have to say that, barring one issue which was my own fault, I have always found CD Baby very decent and quick to work with. The album should be available on iTunes within a day or two of uploading to CD Baby.
Once all that has been done, my promo work will start. I'll do the easy stuff first - Facebook and Twitter. Then comes the slog of contacting websites and blogs, via a contact list which I've built-up over the last few years. Truth to tell, those contacts have been next to useless for me in terms of getting attention/reviews/whatever, but I feel I owe it to the album to try and push it is as far as I can within the limits of my resources (i.e. zero resources). To that end, I have put together a press kit of the album, featuring high-resolution MP3s, graphics and pictures and a short one-page press release. This has been uploaded to Megafire and Dropbox.
I had to make a slight change to one of the graphics re. credits. I also had to encode one or two tracks at 320 kbps (they were only at 192 kbps).
Speaking of graphics, in case you haven't seen the album cover anywhere else on the internet, here it is...
Just in case anyone gets offended by the use of Christian imagery on an album cover (there's no accounting for people's capacity to take offence), the Bandcamp version of the album will feature as a bonus an alternative album cover. I'm getting all Barney Bubbles/Do It Yourself on yo' ass...
The link to the Bandcamp page will go up on Monday, so be patient until then...;-).
Regards,
djp
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Tuesday, August 4, 2015
You Have My Heart Scalded EP - 040815
Sponsored by "Music (random)".
And here it is, in all its splendour...
Something for everyone (hopefully...).
Busy doing promo on it now, as I type...
Hope you enjoy it!
Regards,
djp
And here it is, in all its splendour...
Four tracks:-
- YOU HAVE MY HEART SCALDED
- I CAN EXPLAIN...EVERYTHING
- FLOATY FLOATY
- YOU HAVE MY HEART SCALDED (instrumental demo).
Something for everyone (hopefully...).
Busy doing promo on it now, as I type...
Hope you enjoy it!
Regards,
djp
Thursday, June 18, 2015
Tracklisting/The New Number Two - 180615
Sponsored by "Music (random)".
Organised a tracklisting (two actually) for the full album mix in AA3. This involved me using metronome audio set to the tempo of each individual track, and then lining-up consecutive tracks based on the metronome. I think it works pretty well for most of the transitions, but I suspect there will be several tweaks between now and the release date. There's been one already...;-). Running time has been reduced to about 74:40. Bit of an improvement on 90 minutes, wha'...?
The album in its Bandcamp/iTunes etc.versions won't have those transitions. The tracks will be standalone, as it were. The reason for this is that streaming doesn't like crossfading and downloaded crossfaded tracks sound crap. So you will have to download the full album mix via Bandcamp (or stream it off Mixcloud) to get the full effect.
As I was going through the masters, I found an unpleasant hiss on THE NEW NUMBER TWO. Now, I know there are people out there (you know who you are) who got to great lengths to add tape noise to their tracks to create an analogue effect on digital recordings. I am not one of those people...;-). So go it had to.
Road trip over the weekend, so I'll be back in harness on Monday.
Regards,
djp
Organised a tracklisting (two actually) for the full album mix in AA3. This involved me using metronome audio set to the tempo of each individual track, and then lining-up consecutive tracks based on the metronome. I think it works pretty well for most of the transitions, but I suspect there will be several tweaks between now and the release date. There's been one already...;-). Running time has been reduced to about 74:40. Bit of an improvement on 90 minutes, wha'...?
The album in its Bandcamp/iTunes etc.versions won't have those transitions. The tracks will be standalone, as it were. The reason for this is that streaming doesn't like crossfading and downloaded crossfaded tracks sound crap. So you will have to download the full album mix via Bandcamp (or stream it off Mixcloud) to get the full effect.
As I was going through the masters, I found an unpleasant hiss on THE NEW NUMBER TWO. Now, I know there are people out there (you know who you are) who got to great lengths to add tape noise to their tracks to create an analogue effect on digital recordings. I am not one of those people...;-). So go it had to.
Road trip over the weekend, so I'll be back in harness on Monday.
Regards,
djp
Wednesday, June 17, 2015
You'll Never Miss Your Mother Till The Well Runs Dry/Me & The Fly/I Choose Indecision/Tracklisting
Sponsored by "Music (random)".
...MOTHER...
Mixed/mastered 14 different mixes in CE5/AA3. The last one is the best. The balance got sorted fairly quickly, but I kept hearing these timing glitches and I think I've fixed as many of them as I could without actually re-tracking.
And that, my friends, is the last track on the album done and dusted. And to prove that point, here's a little screenshot of my progress spreadsheet, showing a very satisfying preponderance of yellow...:-
...MOTHER...
Mixed/mastered 14 different mixes in CE5/AA3. The last one is the best. The balance got sorted fairly quickly, but I kept hearing these timing glitches and I think I've fixed as many of them as I could without actually re-tracking.
And that, my friends, is the last track on the album done and dusted. And to prove that point, here's a little screenshot of my progress spreadsheet, showing a very satisfying preponderance of yellow...:-
I had a lot of PC trouble this morning, which was really pooping on my party, but I eventually sussed that my problem was a Windows update which hadn't "taken" properly. Once that got sorted, everything went smoothly.
So all the heavy lifting has been done. The next step is to concentrate on the tracklisting and putting together a full album mix for inclusion as a bonus track on the Bandcamp release. I am also going to put the mix up on Mixcloud for your streaming pleasure.
Speaking of the tracklisting, I CHOOSE INDECISION isn't going to make the cut. The mix is weak, principally because of the drum parts. The track is totally rescueable, but I don't have the time or the inclination right now, so I'll revive it for a future release.
My Twitter promo campaign for ...FLY is still ongoing, but it's nearly finished now. I've been getting great responses to date, with hopefully more to come. Oh, and the drum & bass mix is in progress, so I'll see how that works out. If I like it, I'll add it as a bonus track on the Bandcamp release.
Tomorrow I will crack on with the full album mix and a spot of promo. After that, we'll see...
Regards,
djp
Sunday, May 10, 2015
Tracklisting - 100515
Sponsored by "Music (random)".
Even though I am not working off a complete set of mastered track as yet, I think I have the tracklisting for the album pretty much nailed for the moment. 19 tracks - over 80 minutes long - I know, I'm an insaniac...;-).
As was the case for HELLHOLE, I plan to create a full album mix for the album, to compensate for the fact that I cannot crossfade the tracks on Bandcamp. The full mix will be included as a bonus track on Bandcamp. This time out, I also intend to upload the full mix onto Mixcloud (and possibly Soundcloud) for streaming purposes.
In order to get my crossfades sorted "properly", my plan is to upload all the tracks as a multi-track session file in AA3 and then use metronome tracks, which I recorded today in CE5, to line the tracks up to the optimum effect. I've done this type of thing for previous releases, but only "by ear" (without the metronome tracks). This should make things so much easier - or not work at all...
I also have the tracklistings sorted for 3 EPs to promote the album. More will be revealed closer to the moment.
Big roadtrip planned for the next few days, so you probably won't hear from me until the weekend.
Phew, sez you...
Regards,
djp
Even though I am not working off a complete set of mastered track as yet, I think I have the tracklisting for the album pretty much nailed for the moment. 19 tracks - over 80 minutes long - I know, I'm an insaniac...;-).
As was the case for HELLHOLE, I plan to create a full album mix for the album, to compensate for the fact that I cannot crossfade the tracks on Bandcamp. The full mix will be included as a bonus track on Bandcamp. This time out, I also intend to upload the full mix onto Mixcloud (and possibly Soundcloud) for streaming purposes.
In order to get my crossfades sorted "properly", my plan is to upload all the tracks as a multi-track session file in AA3 and then use metronome tracks, which I recorded today in CE5, to line the tracks up to the optimum effect. I've done this type of thing for previous releases, but only "by ear" (without the metronome tracks). This should make things so much easier - or not work at all...
I also have the tracklistings sorted for 3 EPs to promote the album. More will be revealed closer to the moment.
Big roadtrip planned for the next few days, so you probably won't hear from me until the weekend.
Phew, sez you...
Regards,
djp
Tuesday, January 6, 2015
Floaty Floaty - 060115
FLOATY FLOATY features on the new WE ARE ALL GHOSTS compilation "...ENDING THE YEAR ON A HIGH 2014", which you can download from Bandcamp. All proceeds from the sale of the album will be donated to Hospice UK.
Not sure what implications this will have for the track. I may leave it as being exclusive to the album, or I may include it in an EP. I'll have to bend my brain about this issue for a while. In the meantime, I hope you enjoy the track...;-).
Regards,
djp
Not sure what implications this will have for the track. I may leave it as being exclusive to the album, or I may include it in an EP. I'll have to bend my brain about this issue for a while. In the meantime, I hope you enjoy the track...;-).
Regards,
djp
Saturday, January 3, 2015
Accents - 030115
Sponsored by "Last Played 2014".
Programmed dub delays on the vocal and percussion parts in CE5. Much trial and error and back and forth, but the track sounds in pretty good shape now.
I have an issue with trailing decays on some of the VST plugin synths, but I'll sort that by tracking them to audio and fading them out at the appropriate time. That'll be on Monday, as I have a mini roadtrip tomorrow.
Because of the source material for the vocal parts (sampled 78s), I reckon I'm going to put this as a hidden bonus track on the Bandcamp download, which means it won't be available on the CD Baby/iTunes/whatever version of the album. So you'll know where to go when you want to download the album, eh?
Regards,
djp
Programmed dub delays on the vocal and percussion parts in CE5. Much trial and error and back and forth, but the track sounds in pretty good shape now.
I have an issue with trailing decays on some of the VST plugin synths, but I'll sort that by tracking them to audio and fading them out at the appropriate time. That'll be on Monday, as I have a mini roadtrip tomorrow.
Because of the source material for the vocal parts (sampled 78s), I reckon I'm going to put this as a hidden bonus track on the Bandcamp download, which means it won't be available on the CD Baby/iTunes/whatever version of the album. So you'll know where to go when you want to download the album, eh?
Regards,
djp
Friday, September 26, 2014
Another re-release...
I mentioned recently that my Reverbnation store is closing down and that I need to migrate some of my archival releases from Reverbnation to Bandcamp. Well, here's another one...
TANTRUM EGO was my first album, which I released in 1999. It was rough and ready and recorded under difficult circumstances on crappy equipment, but I think it still sounds great, and there are some fine songs (if only lyric-wise) on the album. I seem to recall that the album was mixed/mastered the night before I was due to take the family off on a camping holiday in France. I was up til 2.30 in the morning doing the business. As it happens, my PC kept breaking down during the rendering process, so I never got to hear any of the tracks in its entirety while mixing. I'm surprised it sounds anything like palatable in that case.
A certain Mr. Dave Gregory from XTC said some nice words about the opening track, Every Bump In The Road. I was well-chuffed. Possibly one of two highlights of my "career" so far - the other being one of the tracks from HELLHOLE getting mentioned in dispatches by Tom Robinson last year...
In 2000, I did a sort of "companion" release, called MUTANT OGRE (it's an anagram, innit...?) which featured a couple of remixes (one done by the mysterious DJ Arse) plus me singing one of the TANTRUM... tracks in Italian. Geddowdahee, as you might say. Also included on the album were some recordings taken off an answering machine, where I'd asked a number of people to ring my phone and leave some messages which I'd scripted for them. No Oscar-winning performances (sorry, guys...) but all done in a spirit of fun.
In releasing TANTRUM... on Bandcamp, I decided to "enhance" it by bundling-in the MUTANT... tracks. So now you know what way my mind was working back in the day...:-).
I can tell you're not surprised...
Regards,
djp
TANTRUM EGO was my first album, which I released in 1999. It was rough and ready and recorded under difficult circumstances on crappy equipment, but I think it still sounds great, and there are some fine songs (if only lyric-wise) on the album. I seem to recall that the album was mixed/mastered the night before I was due to take the family off on a camping holiday in France. I was up til 2.30 in the morning doing the business. As it happens, my PC kept breaking down during the rendering process, so I never got to hear any of the tracks in its entirety while mixing. I'm surprised it sounds anything like palatable in that case.
A certain Mr. Dave Gregory from XTC said some nice words about the opening track, Every Bump In The Road. I was well-chuffed. Possibly one of two highlights of my "career" so far - the other being one of the tracks from HELLHOLE getting mentioned in dispatches by Tom Robinson last year...
In 2000, I did a sort of "companion" release, called MUTANT OGRE (it's an anagram, innit...?) which featured a couple of remixes (one done by the mysterious DJ Arse) plus me singing one of the TANTRUM... tracks in Italian. Geddowdahee, as you might say. Also included on the album were some recordings taken off an answering machine, where I'd asked a number of people to ring my phone and leave some messages which I'd scripted for them. No Oscar-winning performances (sorry, guys...) but all done in a spirit of fun.
In releasing TANTRUM... on Bandcamp, I decided to "enhance" it by bundling-in the MUTANT... tracks. So now you know what way my mind was working back in the day...:-).
I can tell you're not surprised...
Regards,
djp
Friday, September 12, 2014
Re-releases/Floaty Floaty/Tupolev Honey - 120914
Sponsored by "40s Music".
Reverbnation (the bastards) are shutting down their online music store at the end of this month. The Reverbnation site used to be my main online store for my releases which were not done through CD Baby. My Bandcamp store is now my main outlet, but I only opened that in recent years, so there's material on the Reverbnation store that isn't on the Bandcamp store. D'ye follow...?
So, in view of the imminent closure, I'm starting a programme of releasing material on Bandcamp that was previously exclusively available from Reverbnation. First up are the three EPs I released to promote my 2010 album HAPPY DAYS IN THE GULAG...
I'LL VISIT YOU IN PRISON
LUCKY DOPPELGANGERS...
...and STOP-GO GUY
There will be further releases over the next few weeks. Keep your eyes and ears peeled.
While I was rooting around for the wavs for these tracks, I came across files for tracks I'd been working on for HAPPY DAYS... but which, for whatever reason, remained unfinished.
FLOATY FLOATY is an experimental electronic instrumental based on a single VST plugin part. I'd obviously planned to do more with it at the time, but on listening to it now as is, it ties in nicely with the experimental stuff I'm doing for this project, so I mastered it in CE5/AA3. It'll either be an album track or an EP track. I'll know better closer to the day.
Meanwhile, TUPOLEV HONEY was about half-way finished, with a rockabilly drum loop rhythm and a MIDI piano take on Khachaturian's Sabre Dance...
Reverbnation (the bastards) are shutting down their online music store at the end of this month. The Reverbnation site used to be my main online store for my releases which were not done through CD Baby. My Bandcamp store is now my main outlet, but I only opened that in recent years, so there's material on the Reverbnation store that isn't on the Bandcamp store. D'ye follow...?
So, in view of the imminent closure, I'm starting a programme of releasing material on Bandcamp that was previously exclusively available from Reverbnation. First up are the three EPs I released to promote my 2010 album HAPPY DAYS IN THE GULAG...
I'LL VISIT YOU IN PRISON
LUCKY DOPPELGANGERS...
...and STOP-GO GUY
There will be further releases over the next few weeks. Keep your eyes and ears peeled.
While I was rooting around for the wavs for these tracks, I came across files for tracks I'd been working on for HAPPY DAYS... but which, for whatever reason, remained unfinished.
FLOATY FLOATY is an experimental electronic instrumental based on a single VST plugin part. I'd obviously planned to do more with it at the time, but on listening to it now as is, it ties in nicely with the experimental stuff I'm doing for this project, so I mastered it in CE5/AA3. It'll either be an album track or an EP track. I'll know better closer to the day.
Meanwhile, TUPOLEV HONEY was about half-way finished, with a rockabilly drum loop rhythm and a MIDI piano take on Khachaturian's Sabre Dance...
...kinda sorta. I hear a walking bass part and some rockabilly guitar. And some vocals. If I have the time...;-).
So, a busy and productive day. How was yours...?;-).
Regards,
djp
Friday, August 29, 2014
Ceo
Ooops, how could I have forgotten?
This slipped out of the laboratory a few weeks back. If you haven't heard (of) it before, you have heard (of) it now...
It's supposed to remind you of the sensation of being trapped in fog. Not everyone shares that view. Tough on them...
Enjoy!
Regards,
djp
This slipped out of the laboratory a few weeks back. If you haven't heard (of) it before, you have heard (of) it now...
It's supposed to remind you of the sensation of being trapped in fog. Not everyone shares that view. Tough on them...
Enjoy!
Regards,
djp
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